In this tutorial, we will show you what to consider when relief engraving with a laser and how to achieve good results.
A relief engraving means a deep engraving with differing heights, which are created by gray shades in the graphic. The Trotec laser automatically regulates its performance using these grayscales and thus generates different heights in only one pass. Relief engravings are a real eye-catcher and make any application more attractive. They are ideal for gift items, jewelery or as add-ons for goblets and trophies.
You can generate data by using grayscale fillings and gradients, which are sent to the laser via the process type "relief." Any shades of grey from 0 to 100% black can be used, which produces different heights in the material. Grayscale gradients create flowing transitions of these different heights.
You can add a new material effect to relief engraving which can either have its own layer or you add the layer used in your graphic as soon as you want to do the relief engraving. The screenshot shows examples of what files for relief engravings can look like. Feel free to download our test files here.
Tip for high-quality data or photo presentations
If you need high-quality data or photo representations for relief engravings, they should be created in a 3D program, because such programs generate extremely fine gradations at gray steps. This is a complex process. There are companies that offer this sort of individual data creation, e.g. www.gantryco.com
Suitable types of wood
Relief engraving on wood usually produces impressive results. We recommend using relatively hard woods to create a relief engraving:
Less suitable wood species
Oak is less suitable. Due to the fact that its annual rings differ in density, the relief engraving results in an inhomogeneous engraving pattern. Alder is also not recommended for relief engraving. It is very soft and discolors quickly, making the overall appearance of the relief difficult to see.
For relief engraving on wood, we recommend the following method (details are based on the use of the Speedy360, 80 watt laser): Engrave your desired graphics in 3-4 passes with high performance and low speed (p 100%, v30%) to create the desired depth of your relief. Finally, we recommend one or two rounds at low power and high speed. (p 60%, v100%). this will allow you to engrave away the smoke residue.
If you want to achieve very deep engraving, we recommend that you first engrave the cutting contour and only perform the deep engraving in the second step.
Clean your laser-engraved relief with a toothbrush, using water and soap or detergent. Brush generously over the relief and simply scrub away the traces of powder. Make sure not to use too much water and dry your workpiece well, e.g. using compressed air. Otherwise the piece of wood could lose its shape.
TIP: Creating a wood relief engraving with color change
You can also create a relief engraving in wood to achieve a color change. For this purpose, we recommend that you clean the workpiece thoroughly after the relief engraving, as described above. This will remove the smoke traces that would otherwise impair the subsequent engraving result. Then place the cleaned and dried workpiece back in your Trotec laser and engrave with the standard values Solid Wood "black" from JobControl®. The integrated z-offset value of +6mm is important for achieving a nicely discolored engraving result. If the effect is too low, increase the z-offset value.
Relief engraving on acrylic creates an elegant effect on trophies or other applications. When relief engraving acrylic, it is important to work without additional Air Assist (= OFF) and with a z-offset value, so that the material does not become cloudy or acquire a milky-white discoloration.
This data is based on the use of the Speedy360, 80 watt laser: Use a slow engraving speed in combination with high power (p=90%, v=10%) and switch off the Air Assist when engraving. This gives the material sufficient time to melt and -- depending on the performance of your Trotec laser -- produces an excellent texture in the first pass. Further passes create an even deeper three-dimensional effect. Equally important is the use of a z-offset value of +2mm to +4mm. This preserves the transparency of the acrylic.
Clean the finished acrylic workpiece under running water with a toothbrush to remove any dust from the cracks.